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The most accessible edition of Wordsworth’s poetry and prose, prepared to meet the needs of both students and scholars.
This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author.Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages.
“Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others.
The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems. 8 Illustrations
- Sales Rank: #54671 in Books
- Brand: Wordsworth, William
- Published on: 2013-12-20
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.00" w x 5.60" l, 1.45 pounds
- Binding: Paperback
- 800 pages
About the Author
Nicholas Halmi is Professor of English and Comparative Literature at the University of Oxford and Margaret Candfield Fellow of University College, Oxford. He is the author of The Genealogy of the Romantic Symbol (2007) and numerous articles on British and German Romanticism, editor of Fearful Symmetry: A Study of William Blake in the Collected Works of Northrop Frye (2004), co-editor (with Paul Magnuson and Raimonda Modiano) of the Norton Critical Edition of Coleridge’s Poetry and Prose (2003), textual editor of the Opus Maximum in The Collected Works of Samuel Taylor Coleridge (2002), and an advisory editor of Oxford Scholarly Editions Online.
Most helpful customer reviews
7 of 7 people found the following review helpful.
The beauty of Wordsworth's poetry along with excellent critical analysis make this a great edition for students
By Michael Birman
We finally have a Norton Critical Edition of Wordsworth's shorter verse: his most important shorter poems in addition to the 1805 version of his epic autobiographical The Prelude, which is also included here. The Norton Critical Edition series is praised for its careful editing, generous selections and for its compendious contextual and critical analysis. This collection of Wordsworth's most significant poetry and prose is no exception. It contains a generous selection of both verse and prose but it is heavily weighted towards Wordsworth's earlier, more highly regarded poetry. With the inclusion of the full 1805 version of The Prelude, it duplicates a portion of the venerable Norton Critical Edition of the three different versions of that lengthy poem.
Wordsworth combined a sensitive, insightful response to nature with an adventurous spirit and free-thinking, radical politics during the revolutionary age that was the final years of the 18th century. This confluence of intellectual and spiritual energy in his early writing was almost magical and it produced some of the finest, most beautiful lyric poetry in the English language. His collaboration with Samuel Taylor Coleridge on the first edition of Lyrical Ballads in 1798 became something of a touchstone for the Romantic movement in English poetry. That collection featured one of the finest and most palpably sensual lyric poems ever written: Lines Written a Few Miles Above Tintern Abbey. Wordsworth declared himself "a worshipper of nature" in that paean to beauty and memory and its effect on English verse in that galvanic era of the French and American revolutions and the earliest music composed by the young Beethoven was electrifying.
Wordsworth is something of a paradox as a poet. He insisted in his prose "manifestos" that poetry should celebrate the rustic, the down-to-earth, the common and ordinary of humanity and of human affairs. Yet his writing style is reminiscent of Milton in its grandeur and in its lofty rhetoric. He lived in relative isolation in the picturesque Lake District of northwestern England whilst writing about the French Revolution and continental European politics, contemporary English society and events. As he aged he became more conservative - some claimed more rigid in his thinking - and his poetic powers appear to have waned. Nevertheless, his career lasted some 60 years and his output was vast although undeniably variable in its quality. Wordsworth's earliest, freshest poetry is his finest. In it he created some of the most beautifully spiritual verse yet written, poetry that celebrated the force and power of nature and which introduced a new attitude towards the natural world. The 18th century fascination with artifice and appreciation for the highly ordered in art, which was reflected in the poetry of the age. was overthrown and a new naturalism was born. Wordsworth used nature as if it were a mirror to highlight the spiritual aura surrounding human life in poems like Ode: Intimations of Immortality and the various versions of The Ruined Cottage and The Prelude.
This Norton Critical Edition contains excellent critical analysis from 28 different contributors, including Coleridge, Shelley and Ralph Waldo Emerson. Annotations are extensive and headnotes make informative introductions to the poems. Prose and letters place Wordsworth's verse into historical context, making this a stellar collection for undergraduate students. Wordsworth's poetry is worth savoring for its beauty and for its deep insight. This is an exemplary edition from which to read and savor one of the finest poets in the English language.
6 of 7 people found the following review helpful.
Wonderful edition for in and out of the classroom
By W. Stroup
This is a wonderful addition to the Norton Critical Editions series and a beautifully chosen selection of Wordsworth's writing. Halmi includes the entire 1805 text of The Prelude, freshly edited, and his choices of recent criticism are helpful. Use it in school? Absolutely, but also take in one's knapsack while hiking or when needing inspiration.
4 of 69 people found the following review helpful.
Who knew Wordsworth could write?
By Burst Hyman
Everybody knows that Anthony Wordsworth is really good at soccer (or "football" as it's sometimes called), but who knew the guy could also write? Watch out, Maya Angelou! Duck and cover, Rod McKuen! There's a new sheriff in Poem Town.
Simply put, this is the best collection of verse I've read since Jewel's A Night Without Armor (1998). It's well (words)worth the $27.49 asking price.
Keep up the good work, Anthony.
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